Thursday, October 12, 2017
Wednesday, June 29, 2016
Tanabata Star Village@Powerhouse museum Sydney 2016
Slow Art Collective created large scale of interactive installation at Powerhouse Museum and Sydney Observatory in Sydney. The installation will host more than 50000 people to create their own artwork inside along with the astronomical legend of Tanabata.
Sunday, October 18, 2015
@Artplay, October 2015
Slow Art Collective (Dylan Martorell, Chaco Kato with guest artists Joseph Griffiths and Brian Spiteri) created a mammoth loom in the middle of Artplay in Fedration squire. Children collaborators came and refurbished to transform installation in the week.
Saturday, October 17, 2015
Bamboo House Musique
Slow Art Collective (Dylan Martorell and Chaco Kato) @ Warrnambool Art Museum, Fun 4 Kids Festival 2015/Jul
Bamboo House Musique was an interactive art experience which utilises re-purposed materials found on site and combines live plants incorporated with touch based electronics. A playful space set within a magical string construction for rest, craft, music creation and discovery – Warrnambool Art Gallery
Monday, May 4, 2015
Conflicted: Adversaries in Art
Start: Tuesday 21 April 2015
End: Sunday 31 May 2015Venue: Galleries 1,2 & 3
Conflicted is an exploration of ways in which art looks into the difficult relationship between art and war. Delving deeply into the nature of conflict and what lies at the heart of the human propensity to battle, the exhibition promises to take a sweeping view into what is a complex concern for all of humanity.
Artists include: Kieran Boland, Juan Ford, Siri Hayes, Slow Art Collective, Michael Peck, Mathew Greentree and Connor Grogan (representatives of International Airspace Operations). Also featuring works from the Town Hall Gallery Collection.
Monday, March 9, 2015
Slow Art Collective (Chaco Kato, Dylan Martorell) Edgar Hechavarria Ricardo, students from Castlemaine Secondary College
Loomūsica is the Castlemaine State Festival’s signature arts mentorship project bringing together Slow Art Collective, Cuban artist Edgar Hechavarria Ricardo, and students from Castlemaine Secondary College. Together they will create a site-specific installation that honors the manufacturing history of the former Castlemaine Woollen Mills. Utilising re-purposed materials found on site and incorporating kinetic sculpture, robot components and basic DIY electronics, Loomūsica plays with the notions of loom and harp.
This adventurous collaboration offers an opportunity for our local young people to work with prominent Australian and international artists to explore sustainable practices and concepts of value: cultural, place, societal and material.
Slow Art Collective is a Melbourne-based artistic collective that focuses on creative practices and ethics relating to environmental sustainability, material ethics, DIY culture and collaboration.
Edgar Hechavarria Ricardo is based in Havana, Cuba. A former member of the acclaimed radical collective ‘Enema’, Edgar has exhibited extensively in Cuba and internationally. Loomūsica is his first work in Australia.
Saturday, December 13, 2014
they create programs here that go beyond the art education that these kids would
experience as part of a high school curriculum e.g. robotics, writing code, 3d printing, graffiti etc
We recreated the work commissioned for M Pavillion incorporating the workshop attendees as equal collaborators. We discussed ideas with them such as the idea of working as a collective and successful ways in which collectives can operate, we also talked about how to design a space from the point of view of an audience member, basic structural concepts and how to improvise with materials. The best workshops are when the students take over and need no direction, this was one of those.
Commission for M Pavillion in Melbourne.
Site Specific installation using growth structures found in plants situated
around the pavillion as the basis for large scale music scores created using bamboo
This work also incorporated touch based instruments combining arduino based
technologies and kokedama.
Below are sound recordings and music scores which where the basis for the structures housed within the pavillion.